As a writer of feel-good love stories, there’s a LOT I’ve learned that goes into creating a good feeling. I had to rewrite Waiting at Hayden’s ten times, not because there was a problem with the story, but because I hadn’t mastered the art of making my readers feel what I wanted them to feel when reading certain scenes. “Don’t tell me they’re happy,” an editor once told me. “Make me feel it.” How?! This can often feel like an impossible task—both on the written page, and in our . . .